| He has been ruined forever, and it is all Imogen’s fault. Now he has things like Eleanor Rigby and While My Guitar Gently Weeps in his head, and as far as anyone knows about how the brain works, those things are going to stay there in one form or another no matter how much more information he learns, no matter how many songs he listens to, no matter how many pieces of pop culture history he absorbs.
Hatchet is special, Sarah says, and he just grins maniacally, his eyes glinting with a mirth that belies that screaming grief that Sarah felt coming from him not very long ago. Not long enough ago. He’s stalwart and tenacious, he’s able to take a lot of punishment without so much as flinching, and it takes him eight years or so to get drunk, but what Sarah had felt across their totem link had been unlike anything she’d ever felt from him before.
Wouldn’t know it, to look at him know. Except that Sarah can pick up what Imogen can: the last time either female was around Hatchet, he was not so…intense. The moon is barely there, or will be when it rises, but even so, it’s noticable. Always a bit sharp, a bit hard, now it seems like Hatchet is on the knife’s edge of Rage. He’s still in control. His control is firm, almost always has been…but Half-Moons should not feel the way he feels.
He is, as Sarah lets her eyes wander, looking at Imogen with a slow blink and a tip of his head. “Of course he’s dead,” he says, somewhat flippantly, as though he’d assumed this even before finding out the facts. At Imogen’s response to Sarah’s inquiry about Joss, his eyes flick to the Fenrir, then to the Kinswoman, then to his packmate again. “Imogen’s mated to this Adren Fenrir whose pack left the sept…like…” he shrugs, “whenever ago.”
Hatchet gives Joss a nod when she walks over. “Your thoughts on the Beatles: overrated hacks or significant contributors to the musical history of the planet?” |